For this week's article, I've turned to my good friend Paul Finch. Paul is a touring sound engineer with Theatre shows and produces original artists at his studio in Southend-on-sea; so he knows a thing or two about what to look for. I asked him some questions to provide some much needed guidance on how to decide on which microphone you need, how much you should be spending and how to approach it all.
I've spoken here before about the positive power singing has over our mind ('Singing makes you happy - Science says so'), however the human brain is a very complex computer that can also have the reverse effect. In this article, I share my own process for how to tackle that song you 'can't' sing